The text changes color on hover, the images have hover filters, with the play option present almost everywhere on the screen. A better way to indicate that would be a color difference in the media control bar.Įvery element on the page holds a visual signifier that links to another page, or performs an action. The mapping of this page is very effective because the controls and their feedback are purposefully placed.Īn example of a lack of feedback that does not serve the visceral processing of our brain is that there is very little indication that a song is playing on Spotify when the user is away from its playlist. The conceptual model that already exists in the user’s minds about how the media control symbols are supposed to be used pans out nicely for the sticky play bar because every symbol such as play, pause, previous, or next track is universally recognized. The bottom of the page consists of the media control symbols along with the most recently played track. Spotify’s homepage is effectively constructed into usable sections with different goals. The construction of this page aligns with the mission of the brand which is discovering new music and is constantly updating based on listening data and algorithms. The page includes a list of playlists on the left, a combination of liked songs, playlists, and recommendations accompanied by a title image in the middle section and a friend activity section on the right. Being signed in, the information architecture of the page makes each feature of the app easy to understand and very discoverable. The landing or homepage is the first page users land on after launching the app. In this post, I will critique the functionality, aesthetics and usability of several pages and utilities of the Spotify web app using the terms and concepts learned in Don Norman’s DOET. Spotify, the worlds’ most popular and widely used music platform, is a digital music and podcast streaming service that gives its users access to a multitude of songs and podcast content from all over the world.
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